Capture, document, record, share, restart. We are making ourselves more memorable than ever by archiving every bit of our daily lives. What if we lost something along the way?
In the heart of the Sudeten Forest in the Czech Republic, the remains of a troubled past are still visible. While walking through these ruins, a young woman wonders about this past and our duty to remember.
The death of my great-grandmother Sofía is a taboo in the family. The surface of this story is known, but not the background and much less the beginning, only its tragic end. The answers are in the family, in my grandparents and my uncles.
By reusing home appliance commercials and television archives, this retrofuturist feminist essay questions the capitalist discourse between 1940 and 1970 in order to examine the relationship between women and technology.
Detained with her family while seeking asylum in Scotland, Khabat now shares with her sister the imprint of those memories in her daily life and they explore how their memories have been transformed with the passage of time. These recollections are attached to the places she inhabited, revealing her transformation through resonances of her memories in the present.
Ni Wapiten is a plea to better respect Mother Earth. In this poetic film, we follow a child's journey through the woods to his community's local dump. Playfully, he reuses the waste to build a bear, symbolizing nature.
Powerful cinematographic slam, with a mastery of words in the language imposed by colonization, this film expresses a criticism of our relationship to Mother Earth.