By reusing home appliance commercials and television archives, this retrofuturist feminist essay questions the capitalist discourse between 1940 and 1970 in order to examine the relationship between women and technology.
Powerful cinematographic slam, with a mastery of words in the language imposed by colonization, this film expresses a criticism of our relationship to Mother Earth.
In the style of a film diary, I lost my Mom immerses us in the personal experience of the filmmaker and his sister as they try to ensure their mother can end her days with dignity in the CHSLD system.
Ressources focus on the living conditions of humans, animals and plants linked together by the industrial chain of animal slaughter and meat processing. By following various actors captured by this chain, the film observes a state of precariousness shared beyond the boundaries of species.
Les Terrains Vagues offers a window onto a time-stretched space, from which emanate the voices of five individuals. Revolving around their internal dialogues, the film takes the form of a broad conversation about the models and preconceived ideas that impact the way they experience their sexuality.
Paradox, portrays a being of intensity and gentleness. As she undergoes feminizing hormone therapy, Laure learns to cope with the changes in her body, emotions and identity.
Kathy Tran and Agnès Gaudreau work as auto mechanics at Bâtiment 7, a collective-run space that facilitates the integration of minorities. We get to know them through this inspiring place where they’re truly able to be themselves.
For the past three years, a young Mexican asylum seeker has been forced to put his academic career and his dream of becoming a police officer on hold due to his immigration status.