Like a cinematic journey through melting icebergs, deafening waterfalls and crystalline rains, Aquarela reveals the transformative beauty and raw power of water.
In the style of a film diary, I lost my Mom immerses us in the personal experience of the filmmaker and his sister as they try to ensure their mother can end her days with dignity in the CHSLD system.
Tout au long des années 1970, le journaliste Elías Barahona s’infiltre au cœur du gouvernement militaire le plus répressif du Guatemala. In seeking to uncover the story of this secret and unique individual, The Silence of the Mole opens cracks in the walls of silence.
High in the mountains of Tibet, photographer Vincent Munier and writer Sylvain Tesson wait patiently for the snow leopard to pass. Meantime, the two men weave a dialogue that is as facetious as it is philosophical about our place among living beings.
Through the autobiographical essay of sociologist and philosopher Didier Eribon, performed by Adèle Haenel, "Retour à Reims" (Fragments) tells an intimate and political story of the French working class from the early 1950s to the present day.
At night, armed with white sheets and black paint, they plaster the streets with messages of support for the victims of misogyny and slogans decrying femicide.
Every year, over 400 children arrive alone at the Canadian border to claim refugee status. Fearing for their lives, Afshin, Alain and Patricia left their country, without their parents, when they were just children, in the hope of a better life in Canada.
From the northern edges of Vancouver Island to Oregon’s lower Snake Rivers, two passionate filmmakers connect with activists, Indigenous leaders, and renowned scientists to understand the fate of the orcas and find solutions to our most pressing environmental threats.
At the announcement of the signing of peace agreements between the Colombian government and the guerrillas in 2016, director Germán Gutiérrez filmed in one of the last FARC camps.