In the heart of the Sudeten Forest in the Czech Republic, the remains of a troubled past are still visible. While walking through these ruins, a young woman wonders about this past and our duty to remember.
The death of my great-grandmother Sofía is a taboo in the family. The surface of this story is known, but not the background and much less the beginning, only its tragic end. The answers are in the family, in my grandparents and my uncles.
By reusing home appliance commercials and television archives, this retrofuturist feminist essay questions the capitalist discourse between 1940 and 1970 in order to examine the relationship between women and technology.
Detained with her family while seeking asylum in Scotland, Khabat now shares with her sister the imprint of those memories in her daily life and they explore how their memories have been transformed with the passage of time. These recollections are attached to the places she inhabited, revealing her transformation through resonances of her memories in the present.
Ni Wapiten is a plea to better respect Mother Earth. In this poetic film, we follow a child's journey through the woods to his community's local dump. Playfully, he reuses the waste to build a bear, symbolizing nature.
Powerful cinematographic slam, with a mastery of words in the language imposed by colonization, this film expresses a criticism of our relationship to Mother Earth.
In search of a 15-day huis-clos, a filmmaker finds himself captive on a trawler on the high seas, where his distress intertwines with the fate of what he is filming. A sensory experience between expectation and panic, this first short film has become the expiatory film of a traumatized filmmaker.
In the style of a film diary, I lost my Mom immerses us in the personal experience of the filmmaker and his sister as they try to ensure their mother can end her days with dignity in the CHSLD system.
Ressources focus on the living conditions of humans, animals and plants linked together by the industrial chain of animal slaughter and meat processing. By following various actors captured by this chain, the film observes a state of precariousness shared beyond the boundaries of species.