Three rhythmic storylines are characterized by rituals of everyday life, coalescing around a common experience: that of shooting up as a mode of drug use.
Women's voices are raised to give testimony of victims of sexual violence. It is through the reconstitution of a story with these fragments of experience that a societal portrait is painted throughout the documentary.
A young woman recounts her journey from her home community to the city. After experiencing culture shock in the city, this is where she wants to live from now on. Iskwew-ishkueu: a gentle film born of resilience.
In the north of Niger, the village of Tatiste is a victim of global warming and its inhabitants have to move every day to have access to water. A borehole would be enough to bring water to the center of the village.
How can we continue to live with the idea that the human adventure can fail? In search of answers, Emmanuel Cappellin meets experts who call for the most humane transition possible.
Eight residents and volunteers are working to create their own habitat, to move towards autonomy, to control their food or simply to live together in a space where different futures are possible.
At the end of the Second World War, anarchism experienced a gigantic decline. But, little by little, in the heart of the Cold War, more and more revolutionaries turn to anarchism and contribute to give it a new echo.
In the aftermath of the Cold War, where the imperial powers competed with violence, the main danger of anarchism was no longer to disappear. It was to become alienated. But, at the heart of the great social mobilizations, anarchism is always present, without always saying its name, and restarts for one turn at least the great wheel of our history.