The Super 8 films taken by writer Annie Ernaux between 1972 and 1981 are family archives, but also the testimony of a social class in the decade following 1968.
Marie has been working with farmers' seeds, the guardians of cultivated biodiversity, for over a decade. She fights to preserve this intangible heritage. Behind her strength of action lies a very sensitive relationship with the world and with plants.
Electric cars hold the promise of a clean ecological transition. The global automotive market is concentrating its efforts on competitive production, the key to which is the exploitation of the blue gold, cobalt. This mineral is needed for batteries, and is mainly found in the Congo. But at what price?
With rigor, and a dose of humor, Tax Me If You Can explains the mechanisms of tax havens and demonstrates how tax evasion, an essential cog in the neoliberal system, accelerates the growth of economic inequality.
High in the mountains of Tibet, photographer Vincent Munier and writer Sylvain Tesson wait patiently for the snow leopard to pass. Meantime, the two men weave a dialogue that is as facetious as it is philosophical about our place among living beings.
Through the autobiographical essay of sociologist and philosopher Didier Eribon, performed by Adèle Haenel, "Retour à Reims" (Fragments) tells an intimate and political story of the French working class from the early 1950s to the present day.
At night, armed with white sheets and black paint, they plaster the streets with messages of support for the victims of misogyny and slogans decrying femicide.
It's been ten years since Manon was charged in "l'affaire Tarnac", accused of having participated in a terrorist enterprise for sabotaging TGV lines. As the trial approaches, the filmakker joins the group of women who are helping Manon prepare her defense.
In the middle of the Atacama Desert through the remains of the last saltpeter industry, where the inhabitants witness the decline of industrialization in the driest geographical point in the world.